Studio Crocodile

Terry and Small are two amoebas residing in the stomach of Nakamoto, a boy recognized for his endless appetite. Unaware that these microscopic beings exist within him, Nakamoto continues with his daily routine. Whether Terry and Small are helpful, dangerous, or harmless remains unknown, but their main pastimes appear to involve enjoying meals and playing.

The Planet of Stray Cats is an adult-oriented CG gag comedy anime produced by studio Plus Heads in collaboration with the creators of Mad Max: Fury Road. The project received direct approval from the film's director, George Miller. The anime focuses on the absurd and surreal conversations among stray cats living on a distant planet. Every line of dialogue for the multiple characters is improvised by the lone voice actor, Monica.

Animated television commercials for the Nissan Note vehicle feature characters from The World of Golden Eggs. Certain of these ads were also included on promotional DVDs provided to individuals who test-drove the car.

These television commercials, produced as animation, are part of the Teinenpi Shoujo Heidi parody marketing campaign for the Nissan Note. The TV spots feature a distinct animation style that sets them apart from the web commercials.

Created as a promotional piece for the Nissan Note, this web animation enjoys considerable creative freedom. It centers around a young girl who relentlessly asks people about the significance of "Teinenpi," a term denoting low fuel usage. The project humorously reimagines the well-known 1974 anime Heidi, directed by Satoshi Fumihara, famous for the comedic series The World of Golden Eggs. Voice actor Junichi Koumoto brings life to multiple roles, such as Heidi's Grandpa, Peter, Kurara, and even the sheep.

The citizens of Turkey's Hill model a bizzare American-esque town and engage in non-sequitur behavior.

The second season of TV Yarou Nanaana begins. TV Na Na Na, a penniless television network, is acquired by the major streaming service Nanazon Prime Video—and the executives at Nanazon immediately start firing employees on a massive scale! Their first targets are the Expedition Team, the members who successfully filmed the legendary beast Kiina, because they have failed to create any successful shows since the Kiina incident. To escape unemployment, the director Nanaoka, cameraman Nanamori, and assistant director Nanayama launch a bold new project that larger broadcasters had invested heavily in before but failed to achieve: finding the hidden treasure of the Banakawa House and broadcasting it live on television.

Third season of TV Yarou Nanaana.

Satirist Satoshi Bunbara has now designed characters that resemble bananas. Huh? TV Tokyo's banana employee "Nanana"? What does that mean? Well, actually, it's a camera crew from the impoverished TV station "Televi Nanana"—which Satoshi Bunbara took inspiration from Nanana for. They put their producer's life on the line and head into the jungle to capture a scoop shot of the legendary creature "Kina." Succeeding in filming it would be a world-first achievement! But one obstacle after another stands in their way: ferocious wild beasts, villagers who want to offer a sacrifice to a god, deep-pocketed rival TV stations, and the greatest enemy of all—the tight budget! Can they manage to photograph Kina without failure and secure high ratings? Who knows? The struggling TV station TV Nanana, with its pitifully low viewership, sends three staff members into the jungle—with no real plan or talent—to try and film the rare animal Kina.