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Synopsis
Mirai Mizue pushes forward his exploration of music and motion in his newest "cell animation" work, Tatamp. This should not be mistaken for the standard "cel animation" method; Mizue’s distinctive approach to "cell animation" involves hand-drawing and coloring on paper, which is then scanned into a computer for editing. The title comes from the resemblance of the creatures he illustrates to amoebas and other tiny organic lifeforms that could be seen through a microscope.