Mejor manga de Recuentos de la vida de 2008

Seishuu Handa is considered a prodigy in the calligraphy world. However, he is extremely narcissistic about his work, and when a senior curator dismisses his award-winning piece as conventional and bland, he loses his cool, leading to potentially career-ending repercussions. After seeing his son's immaturity, his father⁠—also a master calligrapher—sends Handa to a village in the Goto Islands as punishment. Deprived of city comforts, Handa moves into a house in the local village with the sole intention of spending his stay engrossed in calligraphy. However, the house he has moved into was previously the hideout for some rambunctious children, headed by Naru Kotoishi, who are unwilling to move out. Furthermore, the neighbors seem very interested in the calligrapher, who they see as an amusing oddity! Despite Handa having been uprooted from his comfortable lifestyle, his experiences with the village and its people will teach him things about himself, life, and calligraphy.

Just having broken up with her boyfriend of five years, 26-year-old Michiyo Ozawa goes drinking with her coworkers. She meets with an unfortunate accident when the elevator to her apartment is out of order. Having little choice but to resort to asking the nearest household for access to their toilet, she meets Zenji Oyamada, a tenant who seems like a somewhat ordinary guy on the surface—until Ozawa notices the mountain of boxes in his room. Oyamada's brother likes sending him these boxes that contain trinkets from each of his eccentric, rapidly changing hobbies while overseas. Instantly intrigued by the boxes, Ozawa is asked by Oyamada if she would like to open one of them. As Ozawa does so, a heartwarming story about an ordinary couple and the strange boxes they open begins.

Following the events of her night aboard the ferry, Emanon—the enigmatic girl with a three-billion-year-old memory—continues on her journey, wandering aimlessly through life with no clear destination in mind. Since the beginning of time, she has followed the same cycle: she departs from home and travels the world as a teenager while pondering her mysterious existence, eventually meeting a man and giving birth to a girl who will inherit her memories and very being. Sasurai Emanon, told from the perspective of Emanon herself, chronicles the events between 1967 and 1980, showing how her life had come full circle from her evening aboard the ferry to her reunion with the man at the train station.

Although abandoned as a puppy, Happy now finds himself fit as a fiddle in the care of Miku's family. He plays with the youngster, goes on walks with the effusive Father, and munches on yummy food prepared by Mother. As such, there is no doubt that he is having the time of his life. Unfortunately, when Father develops a chronic disease, the strong familial bonds in the household slowly deteriorate. Little by little, the family grows more disjointed—until there is no one but Happy and Father left. Unable to earn a living in his condition, Father resolves himself and his dog to one aim: to travel to the far south. There may come ups and downs in their adventures, but Happy will always remain man's best friend.

A life description about the mangaka Aito Yuuki and his assistant Ashisu Sahoto. Aito doesn't understand the feelings of the characters in his stories so he asks Ashisu to help him. Ashisu would do anything for the work—she will even let him touch her breast so he will know how it feels like?! The Habit?! The Pervert?! Can we understand them? That's the comedy of a mangaka life.

Hikari Kohinata is a cheerful 15-year-old girl who lives near the ocean and she spends much of her time diving as a result. On her first day of high school, she meets a teacher who also likes scuba diving. There's also a 16-year-old classmate, Futaba, who gets dragged along in Hikari's maelstrom as soon as they meet at school.

Over four decades ago, Yoshihiro Tatsumi expanded the horizons of comics storytelling by using the visual language of manga to tell gritty, literary stories about the private lives of everyday people. He has been called "the grandfather of Japanese alternative comics" and has influenced generations of cartoonists around the world. Now the visionary creator of "The Push Man and Other Stories" and "Good-bye" has turned his incisive, unflinching gaze upon himself. Over ten years in the making, "A Drifting Life" is Tatsumis' most ambitious, personal, and heart felt work: an autobiographical bildungsroman in comics form. Using his life long obsession with comics as a frame work, Tatsumi weaves a complex story that encompasses family dynamics, Japanese culture and history, first love, the intricacies of the manga industry, and most importantly, what it means to be an artist. Alternately humorous, enlightening, and haunting, this is the masterful summartion of a fascinating life and a historic career.

A manga crossover of Type-Moon characters.

Maya, who works as a translator, lives with her bisexual former girlfriend, Michiru, and Michiru's son, Yuuta. Residing in the same apartment building is an actor called Nico, who drops by for a visit almost everyday, and knows about Michiru's past. Somewhat like family, and somewhat not, their lives interweave full of warm days.

The members of the student council of Hekiyou Academy are chosen by a popularity vote. As a result, all the members are cute girls except for Sugizaki Ken, who studied hard to enter the council. This novel is about the endless chatters of the members, full of parodies from various other works such as "The Melancholy of Haruhi Suzumiya," "Dragon Ball" etc.

From the popular game "THE IDOLM@STER", comes a petit spinoff cute and soothing 4-koma! The setting is the same 765 Production from the games. One day, 765 Pro idols Ami and Mami bring in the mysterious Petit-dols "Afuu" and "Yukipo"!? More and more Petit-dols gather at the offices where everyone works. Leisurely enjoy their daily lives full of laughs and happenings.